Albanesi2
Gesperrt
Lassen wir uns mit denn Brüder Marubis beginnen , die zu denn besten und größten Fotografen der Welt, in ihrer Zeit waren(Sie eröffneten das erste Fotografensstation im Balkan.
Luigj Gurakuqi , einer der Marubi Brüder (in der Mitte) und rechts Mati Logoreci
http://en.wikipedia.org/wiki/Gjon_Mili
Gjon Mili
From Wikipedia, the free encyclopedia.
Jump to: navigation, search
Born in Albania, Mili came to the United States in 1923. Fifteen years later he was photographing for LIFE magazine (a relationship that continued until his death in 1984), and his assignments took him to the Riviera (Picasso); to Prades, France (Pablo Casals in exile); to Israel (Eichmann in captivity); to Florence, Athens, Dublin, Berlin, Venice, Rome, and Hollywood to photograph celebrities and artists, sports events, and concerts, and. sculptures and architecture.
Working with Prof. Edgerton of MIT, Gjon Mili was a pioneer since the 1930s in the use of photoflash to capture a sequence of actions in one photograph.
Gjon Mili ist einer der besten und weithin bekannteste albanischer Künstler , die meisten seiner Arbeiten waren von Berühmtheitenkünstler und Schauspielern.
Dieses ist eine seiner berühmtesten Abbildungen von Picaso
Das ist ein Foto , das Milli von einem der besten Trommler in der Zeit , zeigt .
Foto des berühmten Fotographen David Duglas Duncan(einer der besten Freunde von Milli)
Foto von Willie Smith (einer der besten Saxophonist der Welt)
Millis Foto von Marlon Brando in seinen Film
Foto von der japanischen Fotografin Sono Osato , die Lebensgefährtin Millis
Foto von Gjon Milli
Eins seiner berühmten Plakate 1943
Der Prediger
------
Er war Fotograf wichtiger politischer Ereignisse und Bedeutungen in seiner Zeit!
George Tames was born in the shadow of the Capitol Dome, in a Washington alley house on January 21, 1919, into a Greek-Albanian immigrant family, and "born into the Democratic party" as well.
The son of a pushcart peddler, he dropped out of high school during the Depression to help his family, and took a job as an officeboy in the Washington bureau of Time-Life. Carrying equipment for the magazines' photographers, Tames became both a self-taught photographer and writer. When World War II drew senior photographers to distant battlefields, it opened opportunities for young Tames in Washington. During the war he took pictures of the Truman committee investigation into the national defense program, and of other major events at the Capitol. At the White House, he had the opportunity to photograph his family's idol, Franklin D. Roosevelt, as he did every president from Roosevelt to Ronald Reagan.
After the war, in 1945, Tames joined the staff of the New York Times, where he remained until his retirement in 1985. He defined his own daily assignments, following bits of information and inside tips to decide who and what to photograph. As the Times' Washington bureau chief James Reston observed, Tames' camera got him into places closed to other reporters. He observed prominent senators close-hand, engaged them in informal [Page iii begins here] conversation and banter, and overheard their deliberations. He became particularly close to John Kennedy, Lyndon Johnson and Hubert Humphrey, trading jokes and gossip with them as he recorded their activities on film.
http://www.archives.gov/records_of_...troduction.html
----
Fadil Berisha
Einer der größte Forograf der Welt
http://www.fadilberisha.com/
Luigj Gurakuqi , einer der Marubi Brüder (in der Mitte) und rechts Mati Logoreci
http://en.wikipedia.org/wiki/Gjon_Mili
Gjon Mili
From Wikipedia, the free encyclopedia.
Jump to: navigation, search
Born in Albania, Mili came to the United States in 1923. Fifteen years later he was photographing for LIFE magazine (a relationship that continued until his death in 1984), and his assignments took him to the Riviera (Picasso); to Prades, France (Pablo Casals in exile); to Israel (Eichmann in captivity); to Florence, Athens, Dublin, Berlin, Venice, Rome, and Hollywood to photograph celebrities and artists, sports events, and concerts, and. sculptures and architecture.
Working with Prof. Edgerton of MIT, Gjon Mili was a pioneer since the 1930s in the use of photoflash to capture a sequence of actions in one photograph.
Gjon Mili ist einer der besten und weithin bekannteste albanischer Künstler , die meisten seiner Arbeiten waren von Berühmtheitenkünstler und Schauspielern.
Dieses ist eine seiner berühmtesten Abbildungen von Picaso
Das ist ein Foto , das Milli von einem der besten Trommler in der Zeit , zeigt .
Foto des berühmten Fotographen David Duglas Duncan(einer der besten Freunde von Milli)
Foto von Willie Smith (einer der besten Saxophonist der Welt)
Millis Foto von Marlon Brando in seinen Film
Foto von der japanischen Fotografin Sono Osato , die Lebensgefährtin Millis
Foto von Gjon Milli
Eins seiner berühmten Plakate 1943
Der Prediger
------
Er war Fotograf wichtiger politischer Ereignisse und Bedeutungen in seiner Zeit!
George Tames was born in the shadow of the Capitol Dome, in a Washington alley house on January 21, 1919, into a Greek-Albanian immigrant family, and "born into the Democratic party" as well.
The son of a pushcart peddler, he dropped out of high school during the Depression to help his family, and took a job as an officeboy in the Washington bureau of Time-Life. Carrying equipment for the magazines' photographers, Tames became both a self-taught photographer and writer. When World War II drew senior photographers to distant battlefields, it opened opportunities for young Tames in Washington. During the war he took pictures of the Truman committee investigation into the national defense program, and of other major events at the Capitol. At the White House, he had the opportunity to photograph his family's idol, Franklin D. Roosevelt, as he did every president from Roosevelt to Ronald Reagan.
After the war, in 1945, Tames joined the staff of the New York Times, where he remained until his retirement in 1985. He defined his own daily assignments, following bits of information and inside tips to decide who and what to photograph. As the Times' Washington bureau chief James Reston observed, Tames' camera got him into places closed to other reporters. He observed prominent senators close-hand, engaged them in informal [Page iii begins here] conversation and banter, and overheard their deliberations. He became particularly close to John Kennedy, Lyndon Johnson and Hubert Humphrey, trading jokes and gossip with them as he recorded their activities on film.
http://www.archives.gov/records_of_...troduction.html
----
Fadil Berisha
Einer der größte Forograf der Welt
http://www.fadilberisha.com/
